Iommi, Tony

This is the Japanese version of Tony's 2005 album, Fused. It's the same as the main version, except it includes a track not available on any other version. That track is called "Let it Down Easy". Here's what I have to say about that song:

This is the extra track for the Japanese version. It almost sounds like a Whitesnake track with Iommi playing. The vocals remind me a lot of David Coverdale for some reason. Glenn's vocals sound different than on the other tracks on the album. This is more of a fast driving song, yet still has a very bluesy feel to it. The guitar solo is quite cool, has some "wah-wah" in it that I rather like. Will probably be a shame most people don't get to hear it, as it's the song that's only on the Japanese version of the album.

You can buy this version with the link here, although as with most Japanse imports, it's extremely expensive. I got my copy from Tony Iommi's management team.

If you want to read my full review of the album, click here.

Tony Iommi, the man behind Black Sabbath for so many years (that didn't stop in 1979, folks) has a new album out. It's brilliant - but that should be no surprise to anyone who is a fan of his. Fused is the name of the new one, and it's the third collaboration between Tony & former Deep Purple and Black Sabbath singer Glenn Hughes (the others being the 1986 Sabbath album "Seventh Star" and 2004's "The 1996 DEP Sessions"). Fused is probably the best of the lot; Here's my track by track summary of "Fused".

1. Dopamine - The opening of a new album of Tony Iommi riffs. It's like the needle going into the vein (not that I know what that means, I'm just using a metaphor). Interesting that the subject of the lyrics is a "drug" produced by one's own body. Anyway, it very much sounds like a traditional Tony Iommi riff and song. Good way to open the album, even if it's not my favorite track on the album.

2. Wasted Again - Hmm.. Based solely on the titles, this is an interesting one to follow "Dopamine". This is a slower song, although not "slow" - slower in comparison to Dopamine. It does feature some good "screaming vocals" by Glenn Hughes. It's one of those tracks I like, but I can't give you a concrete reason as to why. Just liked it.

3. Saviour of the Real - This is one of the few songs on the album that doesn't stick out to me. It's not bad, but there's no killer riff, no killer vocal hook on this one. Sometimes with songs that don't stick out to me, I want to skip them, but I keep this in here because it is decent, it's just not great.

4. Resolution Song - This one starts out slow like some of the good moodier Sabbath tracks from the past. There's a interesting vocal hook in this one. Not sure how to describe it except it comes in at about 1:44 for the first time, and sounds like "Ah-yee-ah". It's one of those good Iommi tracks that's mostly mellow, has a big powerful guitar sound behind the chorus.

5. Grace - The first few times I listened to this album, I felt Grace was just ore of Resolution Song. The starting riff of this song sounds a lot like the end of the last song. Grace is one of the best songs on the album. Great lyrics, great riffs, great vocals. About halfway through the song there's a guitar bit (starting around 2:51, runs for about 15 seconds)) that sounds a whole lot like a classic Sabbath riff from the Dio era (Southern Cross?). Anyway, after that, the big fast meaty part of the song really kicks in, and it's just awesome till the end of the song. One of the album's highlights.

6. Deep Inside a Shell - This is the other one that doesn't really leap out to me. As with Saviour, there's nothing wrong with the song. It's good. But it doesn't just have that killer hook for me. The guitar solo midway through the song isn't a standard Iommi power solo. From that aspect it's something different - but this doesn't leap out as a real highlight.

7. What You're Living For - This one is another of my favorites. It's to me is a classic Iommi song, as it leads off with nothing but a cool riff, and just keeps going. It's fast, it's catchy, and is a great song. When I first started listening to the album, this was one of my favorites because it's immediately accessible. I love the solo in this one, it's one of those "Dual solos" where Tony's playing more than one riff at a time. Really nice sound to this one.

8. Face Your Fears - A nice crunchy Tony riff is at the heart of this song. This one seems more geared towards Glenn's vocals than Tony's playing. Nothing wrong with that, but it isn't the "busiest" song in terms of Tony's playing.

9. The Spell - Nice heavy doom sounding riff to start off this song, like some of the classic early Sabbath stuff. The slowest song on the album.

10. I Go Insane - I'm not worthy! I'm not worthy! This is by far and away the best thing on the album. A 9 minute and 30 second spectacular piece of music. The vocals, the... aw hell. This is the best song on the album. It's so good, I can't think of any good words to describe it. The best song Tony's recorded in ages. In terms of "feel" it reminds me of the track "Kiss of Death" off of Sabbath's last studio album from 1995, Forbidden. Both of these tracks have a sweeping majestic feel to them that outclass anything else on the disc they appear on.

Summary..

When this album was being recorded, there were some quotes by Tony Iommi saying he was really excited about the material on the album, and I can see why. This is probably the strongest of the three albums he's recorded with Glenn Hughes, and I think this is his best solo album by far (over DEP Sessions which I thought was fabulous, & the decent if not awesome "Iommi").

If you're a fan of Black Sabbath, the number one complaint fans have is that Black Sabbath hasn't put out a new album in the last 10 years. The last Sabbath album was released June 8, 1995, it's been far too long. In all that time and all the albums released by the various members, this one is the one that has that feel of carrying the Sabbath banner best. "Fused" flies the legacy of Black Sabbath and the mastery that Tony Iommi has over the fret board magnificently. There's little weakness on this album, it's strong from start to finish.

If you have ever considered yourself a Black Sabbath fan, you owe it to yourself to buy this album. What's unfortunate is that the "pseudo fans" who know Sabbath only as Ozzy's backing band (or only know Oz from his MTV show) won't buy this because it doesn't have Ozzy on it, and doesn't have the name Black Sabbath on it, and that's a crime. Buy this. Buy two, and give one to a friend. This album deserves all the attention it can get.

Back in 1996, Tony Iommi was trying to put together some solo material after deciding to take a break from Black Sabbath in 1995. The album he recorded was with an old friend, Glenn Hughes, who had previously been on a psuedo-Black Sabbath album "Seventh Star". Seventh Star was OK, but it didn't feel like a Black Sabbath record - it wasn't supposed to be, it was supposed to be Tony's first solo album, but record company pressure forced it to be Black Sabbath. Well, 11 years after Seventh Star, Tony & Glenn got together to write some more material. They recorded it with Dave Holland & Don Airey, and then it got shelved. It turned up a year or so later as a bootleg named "Eighth Star". I've had that bootleg for then, and to me, it was better than the already released "Iommi" album, as it showed that Tony can do more than just Black Sabbath.

So early in 2004 I find out that Tony has finally decided to dust off the old 8th Star material and properly clean it up and finally release it. This was a great moment for me, as I so much loved the material. In addition to that, there was one track that was not on the original bootleg version, so we'd get a "new" track as well. The songs on here are of a uniformly high quality. There isn't one clunker here - it's brilliant from start to end. If you have ever been a fan of Black Sabbath, you should like this. Glenn Hughes fans should also like this as well.

There were a few minor changes from the bootleg version - the track "Don't you Tell Me" had it's main riff appear on the song "Black Oblivion" on Iommi's 2000 record. It's apperance here has the riff altered slightly, so it's not directly the same. Additionally, some of the vocals have additional lyrics on "I'm Not The Same Man", and there is the aforementioned extra track. Additionally, these aren't the original drum tracks - the original drummer (Dave Holland) was removed in favor of Jimmy Copley, but it's nothing like the bastardization that Ozzy did to his first two albums - the new drums here sound more or less the same as the original to me.

This album is brilliant folks - you will really enjoy it. The best part of this is that in late 2004, Tony & Glenn have said they're working on another album to be released in 2005 - I can't wait - if it's half as good as this, it'll be spectacular!

Tony Iommi finally manages to release a solo album after a few other attempts got sidetracked. The album is not bad at all, in fact it's quite good - but I was spoiled by the 8th Star music, I would have preferred that. However, you can't go wrong here, there's lots of great tunes - and Iommi uses the Santana Supernatural method here, lots of guest singers. :)

This is an album that Tony Iommi was working on with Glenn Hughes in 1996, but was abandoned. It's never been officially released (this is technically a bootleg), but the music on here is brilliant! Shows that Iommi can do more than just play the Black Sabbath style of music he's known for. It's a shame, because he's capable of a lot more than he does in Sabbath, this album showed it.

It was later released as "The 1996 DEP Sessions", but with one track that wasn't on this bootleg version. Also, the last two songs on this version of the album aren't from these sessions; they were stuck on here by the bootlegger than made this.